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American Heritage MagazineJune/July 1979    Volume 30, Issue 4
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GOOD READING


By Barbara Klaw  

Been in the Storm So Long: The Aftermath of Slavery

By Barbara Klaw
by Leon F. Litwack

Alfred A. Knopf, Inc.
Illustrations, 672 pages, $20.00

To understand, to feel, what freedom meant to the 4,000,000 former Southern slaves is perhaps impossible. Nor is it much easier to grasp the ex-slaveholder’s sense of betrayal as his blacks, his carefully husbanded chattels, made that first exhilarating choice, and walked out on him. This superb study of the splitting apart of the slave-based society, during and for the first few years after the Civil War, is as enlightening as it is engrossing.

Leon Litwack has worked almost entirely from primary sources, and in this book hundreds of black and white voices testify to the joy and terror of Emancipation.

Contrary to white predictions, few ex-slaves stayed with their owners. They often went only as far as the next plantation and worked for the same miserable contract offered by their previous owners, but they had chosen where to work. The new freedmen also hastened to change their slave names and adopt surnames, and “precious few of them ever took that of their old master,” according to an overseer.

Whites complained that as contract farm laborers, the freedmen were “demoralized” and “impudent,” meaning that they didn’t work as hard as they had under slavery. Indeed they didn’t. One of the lessons of slavery had been that free ladies and gentlemen didn’t seem to work at all.

Often bullied and cheated, the blacks “soon found out that freedom could make folks proud but it didn’t make ‘em rich.” And the whites, who had a stake in black failure, were sure that Negroes, without whites to manage their lives, gradually would become extinct in America. No one who reads this book will quickly forget it.


 

Where She Danced: American Dancing, 1880–1930

By Barbara Klaw
by Elizabeth Kendall

Alfred A. Knopf, Inc.
20 photographs, 256 pages, $12.95

In the beginning, aesthetic (or freeform or barefoot) dancing was closely linked to feminism, the cult of exercise, and dress reform (fashionably corseted women couldn’t so much as raise their arms above their heads). Elizabeth Kendall tells the story through the lives of three remarkable innovators—Ruth St. Denis, Isadora Duncan, and Martha Graham. With their unhampered bodies in flowing costumes, they evolved new dance forms that provoked fierce arguments about Art and Sin. Kendall also shows how the emergence of modern dance was related to less exalted entertainments—vaudeville, ragtime, and partner dancing. This short, unusual cultural history is witty and intelligent.


 

Female Complaints: Lydia Pinkham and the Business of Women’s Medicine

By Barbara Klaw
by Sarah Stage

W. W. Norton
Illustrations, 304 pages, $10.95

This entertaining history of the Lydia Pinkham company is much more than simply an account of that ubiquitous lady and her Vegetable Compound. It is also an expert review of the sorry state of nineteenth-century medicine; a story of Lydia’s unloving descendants squabbling for control of the company she had founded; and a description, based on exhaustive company archives (the first such records ever made public by a patent medicine company), of the unctuous and devious methods developed to sell the stuff. The pitch may have been dubious, but Sarah Stage says that women before 1900 were probably well advised to “let doctors alone,” as Lydia Pinkham cautioned, and to rely instead on her mildly alcoholic, but otherwise innocuous, brew.


 
 
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