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American Heritage MagazineOctober/November 1982    Volume 33, Issue 6
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Cover Story


During the summer of 1919 a group of dissident members of the Socialist party, including the radical journalist John Reed, published a manifesto in the left-wing newspaper Revolutionary Age attacking the party’s more moderate elements and calling on workers in the United States to rise up and “overthrow the political organization upon which capitalistic exploitation depends.” The only uprising their “Left Wing Manifesto” engendered was a walkout by Reed and his comrades at the Socialist party’s national convention that August (the one depicted in the recent film Reds). But to government officials caught up in the frenzy of a postwar Red Scare, publication of the manifesto was considered highly incendiary. Several members of the newspaper’s managing board, including Reed, were indicted under New York’s criminal anarchy statute, which made it a felony to advocate, “by word of mouth or writing,” the violent overthrow of the government.

Reed, who returned to Russia that fall and died there the following year, escaped prosecution. The others were tried separately and convicted. Among them was Benjamin Gitlow, the paper’s business manager, one of ten Socialists elected to the New York state assembly in 1917. Gitlow spent thirty-four months in jail while he appealed his verdict all the way to the Supreme Court. The Court had recently upheld the constitutionality of the wartime Espionage Acts, which made it a crime to say or publish anything “intended to cause . contempt, scorn, contumely or disrepute as regards the form of government of the United States, the Constitution, the flag, or the uniform of the Army or Navy,” so it was not surprising that the justices affirmed Gitlow’s conviction. What was surprising was that for the first time in the nation’s history the highest court in the land decided that freedom of speech and of the press were, in the words of Justice Edward Sanford, “among the fundamental rights and liberties protected by the due process clause of the Fourteenth Amendment from impairment by the States.”

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Feature Stories 
 
THE AMERICAN PRESS: ITS POWER AND ITS ENEMIES
FAIR COMMENT
How a third-rate vaudeville act made legal history
by Michael Gartner
THE AMERICAN PRESS: ITS POWER AND ITS ENEMIES
“THE FIRST ROUGH DRAFT OF HISTORY”:
The executive editor of the Washington Post talks about his problems and those of his owners, staff, and readers
AN INTERVIEW WITH BENJAMIN C. BRADLEE by Michael Gartner
THE AMERICAN PRESS: ITS POWER AND ITS ENEMIES
FAKING IT
It’s only recently that newspapers have even tried to tell the truth
by Paul Lancaster
THE AMERICAN PRESS: ITS POWER AND ITS ENEMIES
FAKING IT WITH PICTURES
What do you do if there’s no photographer around when Valentino meets Caruso in Heaven?
by Douglas Steinbauer
THE AMERICAN PRESS: ITS POWER AND ITS ENEMIES
IF YOU RAN A SMALL-TOWN WEEKLY
The dream and the reality of country journalism
by John N. Cole
THE AMERICAN PRESS: ITS POWER AND ITS ENEMIES
WHAT MADE THE ‘WORLD’ GREAT?
Every newspaperman in the United States wanted to work for Joseph Pulitzer’s legendary paper. Here’s why.
by David Davidson
MY RADCLIFFE
The author recalls two generations of “Cliffie” life
by Marian Cannon Schlesinger
HELL AND THE SURVIVOR
A Union soldier had a better statistical chance of living through the Battle of Gettysburg than of surviving the prisoner-of-war camp called Andersonville. But Charles Hopkins did it and left this never-before-published record.
WINSTON CHURCHILL AND THE “NATURAL CAPTAIN OF THE WEST”
A British statesman and historian evaluates FDR’s role in the twentieth century’s most important partnership
by Roy Jenkins
THE AMERICAN PRESS: ITS POWER AND ITS ENEMIES
THE ARTIST OF THE CENTER
Fifty years after Rockefeller Center’s opening, John Wenrich’s original drawings survive as talismans of a golden moment in American architecture. Plus a few words about Rockefeller Center by Tom Wolfe.
by Gerald Allen
 
 
 
Departments 
 
LETTER FROM THE EDITOR
The American Press
READERS’ ALBUM
Orphans of the Storm
POSTSCRIPTS
How FDR Got His Tape Recorder by R.J.C. Butow
 
 
 
 
 

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