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American Heritage MagazineJune/July 1984    Volume 35, Issue 4
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Cover Story



EXACTLY TEN YEARS AGO this August, the thirty-seventh President of the United States, facing imminent impeachment, resigned his high office and passed out of our lives. “The system worked,” the nation exclaimed, heaving a sigh of relief. What had brought that relief was the happy extinction of the prolonged fear that the “system” might not work at all. But what was it that had inspired such fears? When I asked myself that question recently, I found I could scarcely remember. Although I had followed the Watergate crisis with minute attention, it had grown vague and formless in my mind, like a nightmare recollected in sunshine. It was not until I began working my way through back copies of The New York Times that I was able to remember clearly why I used to read my morning paper with forebodings for the country’s future.

The Watergate crisis had begun in June 1972 as a “third-rate burglary” of the Democratic National Committee headquarters in Washington’s Watergate building complex. By late March 1973 the burglary and subsequent efforts to obstruct its investigation had been laid at the door of the White House. By late June, Americans were asking themselves whether their President had or had not ordered the payment of “hush money” to silence a Watergate burglar. Investigated by a special Senate committee headed by Sam Ervin of North Carolina, the scandal continued to deepen and ramify during the summer of 1973. By March 1974 the third-rate burglary of 1972 had grown into an unprecedented constitutional crisis.

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Feature Stories 
 
I. THE HOUR OF THE FOUNDERS
In which a President fails to fulfill his constitutional duty to “take care that the laws be faithfully executed.” And a reluctant Congress acts.
by Walter Karp
II. THE FINAL ACT
A sometime “Nixon-hater” looks back on Watergate and discovers that his glee of a decade ago has given way to larger, sadder, and more generous emotions.
by Vance Bourjaily
PAINTED ON WATER
Turn-of-the-century American painters came to Venice for its ancient splendors and pearly light. In a few years they captured its canals, palaces, and people in a spirit of gentle modernism that looks better than ever.
by Jerome Tarshis
THE LAWN: AMERICA’S GREATEST ARCHITECTURAL ACHIEVEMENT
In designing the University of Virginia, Jefferson sought not only to educate young men for leadership, but to bring aesthetic maturity to the new nation.
by James Marston Fitch
“TO BRING YOU THE PICTURE OF EUROPE TONIGHT …”
In 1938 the European correspondent for CBS was in Austria when the Nazis marched in. He wanted to tell the world about it—but first he had to help invent a whole new kind of broadcasting.
by William L. Shirer
ONE HUNDRED YEARS OF HUCKLEBERRY FINN
It was a difficult birth, but it looks as if the child will live forever.
by Robert B. Brown
DOWN THE MISSISSIPPI
From the North Woods to New Orleans with an artist-reporter of the last century.
SAVING THE STATUE
After standing for nearly one hundred years in New York Harbor, this thin-skinned but sturdy lady needs a lot of attention. She’s getting it—from a crack team of French and American architects and engineers. A Heritage Preserved.
by Frederick Allen
 
 
 
Departments 
 
LETTER FROM THE EDITOR:
Quotations Wanted
MATTERS OF FACT
Sounds from the American past.
by Geoffrey C. Ward
111 READERS’ ALBUM:
The Smile of a Champion
 
 
 
 
 

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