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October 2017

A replica of Sputnik 1 at the National Air and Space Museum
A replica of Sputnik 1 at the National Air and Space Museum

I had only just celebrated my sixth birthday, but I remember well the night in October 1957 when my father woke me before dawn and led me by the hand, still in my pajamas, out the back door of our home and into the darkness. We walked through high grass at the back of our property, wet with early morning dew, to the top of a small hill.

We hoped to catch a glimpse of the ominous Sputnik satellite that the Soviet Union had just launched, which the local newspaper predicted would fly over our heads early that morning. Everyone was obsessed with the idea that the Communists were now able to send threatening space vehicles right over our skies – spacecraft that we could even see with our own eyes!

Henry Ulke painted an evocative portrait of Edwin Stanton in 1872. Edwin Stanton, National Portrait Gallery.
Henry Ulke painted an evocative portrait of Edwin Stanton that is now in the National Portrait Gallery.

“Good and evil were strangely blended in the character of this great war minister,” George Templeton Strong wrote a few days after Edwin Stanton died. “He was honest, patriotic, able, indefatigable, warm-hearted, unselfish, incorruptible, arbitrary, capricious, tyrannical, vindictive, hateful, and cruel.”

Strong, a New York lawyer who knew Stanton well, was right: Stanton was all of those things, a strange blend of good and evil. As the Union’s Secretary of War during most of the Civil War, he was Lincoln’s military right hand, the man whom the President referred to as his “Mars.”

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