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Television
How luck, television, and a saintly lurker on the Internet combined to let the author visit 1953 for half an hour.
IT’S ALMOST IMPOSSIBLE TO TELL OUR NATIONAL STORY ON TELEVISION, EVEN IF YOU’VE GOT 13 HOURS AT YOUR DISPOSAL. THREE PEOPLE WHO DID IT EXPLAIN HOW AND WHY.
DURING THE FALL OF 1997, our production team at WGBH-TV, Boston’s Public Broadcasting System station began developing a television project that would capture the sweep of American history with, we hoped, real rigor and drama.
What you don’t remember about the day JFK was shot
It was a series of sounds and images that had monumental impact and will always remain in the minds of those who watched: the bloodstained suit, the child saluting the coffin, the funeral procession to the muffled drums, the riderless horse.
The imperium of modern television advertising was born in desperate improvisation.
An Interview with Walter Cronkite
As the editors discovered right at the outset of planning this issue, it is all but impossible to think about the course of the past 40 years without also thinking about Walter Cronkite.
In the infancy of television (but not of American royalty-worship), the networks fought their first all-out battle for supremacy over who would get to show Queen Elizabeth II being crowned.
When American television was very young, but American royalty-worship was not, the biggest, loudest, most pointless battle for supremacy among the networks was over which would be first—by mere minutes, if necessary—to show pictures of the coronation of the B
Ken Burns, the maker of a fine new documentary on the Civil War tells how the medium of film can evoke the emotional reality of history.
Ken Burns is no stranger to me. We first met in 1983 at a party that the historian David McCullough gave at the Yale Club to wish a happy hundredth birthday to the Brooklyn Bridge.
Stempel’s winning technique was simplicity itself: He got all the questions in advance.
In October 1956, the 29-year-old scion of an illustrious American literary family took up a suggestion that countless Americans were then making to their more erudite friends and relations.
The early critics of television predicted that the new medium would make Americans passively obedient to the powers-that-be. But they badly underestimated us.
Way back when I was a teenager, it was common knowledge that the mass media—newly reinforced by television—were generating mass conformity, mass passivity, and mass “loss of autonomy.” They were even producing a new kind of dismal American, a truly ominous being, grimly referre
The dour radio comedian regarded his work as totally ephemeral, but a new generation of comics has built upon his foundations
Satire, according to the playwright George S. Kaufman, “is what closes Saturday night,” but for seventeen years Fred Allen used his satiric brand of humor to create some of the nation’s most popular radio comedy.
One Sunday afternoon thirty-six years ago, in Chicago, I sat with my parents in front of the family’s brand-new television set, with its small, round-cornered screen, and watched the first of a new kind of program on CBS.
Robert Benchley, a woebegone chronicler of his own inadequacies, was the humorist’s humorist, a man beloved by practically everyone but himself.
Early in 1939, Robert Charles Benchley—Phillips Exeter Academy, 1908; Harvard, 1912—put on a paper hat and hoisted himself up onto a set of phony telephone wires strung between mock utility poles on a Metro-Goldwyn-Mayer sound stage in Hollywood.
A little-known ancestor of the nightly news comes to light
The Colorado farmer opened the barn door for me. There, hanging from a nail on the back wall, was an empty 35-mm reel. With that excitement peculiar to collectors, I asked if there were any films left. “I reckon so.
A noted historian argues that television, a relative newcomer, has nearly destroyed old—and valuable—political traditions
TELEVISION HAS BEEN accused of many things: vulgarizing tastes; trivializing public affairs; sensationalizing news; corrupting the young; pandering to profits; undermining traditional values.
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